Vs manual booking

Stop emailing promoters. Start playing shows.

One side of this page is the workflow every indie DJ runs by hand. The other is the same week with Gigloom doing the inbox, the calendar, and the follow-ups.

The contrast

Same four jobs. Two very different weeks.

Read each row top to bottom. Left is the manual loop you already know. Right is what changes when the agent takes it over.

Manual DJ grind

Without Gigloom
01Cold emails

One evening per week spent drafting 8 personal-sounding pitches to clubs you have never been to, with no idea if the address even reaches a booker.

02Manual follow-up

A third reply typically wins the date; you forget, life happens, the thread dies at message two and you wonder why.

03Posting mixes

You master the set on Sunday, it sits unannounced in your SoundCloud until you "have time" to write the IG caption on Wednesday.

04Fan DMs

The genuine replies pile up in two inboxes while you prep the next set, and the next-listeners quietly drift off.

With Gigloom

The agent runs it
01Cold emails

The agent scouts regional venues that match your radius and sound, then drafts a pitch that names the venue, cites its recent lineup, and references your last release. You review the first few; after that it just goes.

02Manual follow-up

A calibrated nudge cadence keeps the loop running until the promoter replies yes or no — you wake up to a date or a clean "not this time," not silence.

03Posting mixes

A release calendar queues the SoundCloud premiere and the IG drop on a cadence that keeps your feed alive between sets.

04Fan DMs

Every reply goes out in your voice across SoundCloud, IG, and email — even the ones you would normally see at 4am after load-in.

Does not stop.

Make the switch

Skip the manual booking grind.

We are onboarding a small first cohort of New England DJs. Claim a seat and the agent starts scouting your radius this week.

Get early access →

Onboarding takes an afternoon.